The article highlights challenges in applying a Cold War framework to cultural life in the decolonising world, and the need to move beyond elites in capital cities to incorporate views from the provinces and the grassroots. However, developments in the province also had their own dynamics, manifesting in the contributions of prominent Sundanese Lekra figures to the ‘ wayang controversy’ and in the role of a group of Sundanese writers who rejected the choice between Lekra and a rival group supporting the Cultural Manifesto. Iwal ti éta istilah séjén nu dipaké dina pustaka Sunda téh sajarah, misalkan sajarah Sukapura. Upama carita Parahiyangan, carita Ratu Pakuan jeung carita Waruga Guru. ![]() Istilah babad dina pustaka Sunda téh asalna ti Jawa. ![]() ![]() Some developments in West Java paralleled national trends, including Lekra’s intensifying politicisation and growing cultural polarisation. Babad nyaéta wanda carira anu ngandung ajén sajarah atawa raket hubunganana jeung sajarah. Lekra in West Java combined an outward looking engagement in cultural diplomacy with efforts to reform Sundanese culture. ![]() It shows how Lekra attracted a cultural elite but also wove itself into everyday life, as part of a web of organisations linked to the Indonesian Communist Party. Drawing on contemporary publications, oral histories and archival documents, the article incorporates views ‘from below’ into an account of what became a vibrant cultural force. This article examines the development of the Institute of People’s Culture (Lembaga Kebudayaan Rakyat, Lekra) in West Java in the 1950s and 1960s. Respondent : Eeeuu.drama sih pake bahasa Inggris yah berbicara bersama guru.
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